Dustin Yellin’s huge new digs in Red Hook, in a three-floor Civil War-era former warehouse, which will host a gallery space, several artist studios, and a side garden.
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David Everitt Howe is a Brooklyn-based writer and curator who hails from the Deep South, but can barely manage a mountain drawl. He writes primarily on contemporary art, culture, and technology for ArtReview, Modern Painters, frieze, Afterall, and Mousse, among other publications. He's also a contributing editor for ArtReview and a shadow grant writer for art non-profits Participant Inc and Pioneer Works. He spent his last year in grad school at Columbia poring over critical texts on relational art, fashion, and shopping, which, when he has the means, does in abundance. This makes him a somewhat paradoxical Marxist. Subscribe via RSS.